The first stage of the renovation contest for the Dostoevsky Drama theatre is completed in Nizhny Novgorod. The Russian and international jury members have shortlisted three practices, namely Archiproba Studios (Moscow), FORM bureau (Moscow), and Rhizome group (St. Petersburg). The three finalists are to create a concept design for the renovation of the theatre under the guidance of Roger Watts, director of Haworth Tompkins studio (UK) who has been involved in a dozen completed performing arts projects, including the Royal Court theatre in London. The winner will be announced in December, 2020.
The three finalists were selected out of 16 participants that had submitted their portfolios and visions. According to Roger Watts, all 16 submissions showed wide experiences of similar jobs and considerable creative potential. A total of 53 teams took part in the contest.
The jury included leading Russian and international experts in architecture and cultural cluster management along with a member of the Novgorod government, namely Sergey Gnedovsky, vice president of the Russian Union of Architects, member of the Russian Academy of Architecture and Construction Sciences and a specialist in theatre buildings; Anna Bronovitskaya, art history PhD, director of research at the Moscow Institute of Modernism and teacher at the MARCH school of architecture; Anna Osipova, executive director of the Oktava industrial cluster in Tula; Simon Henley, ArchDaily columnist and partner of the London-based practice Henley Halebrown; and Elena Kirilova, deputy prime minister of the Novgorod region.
The contest for the renovation concept of the Dostoevsky drama theatre in Veliky Novgorod was launched on August 12, 2020 with the aim to develop an architectural concept for the integrated renovation of the building that would enhance its iconic features with state-of-the-art solutions and a range of new cultural and leisure functions. The idea is to transform the theatre into a cultural cluster, expand its functional program, provide for the most advanced equipment and turn the complex into a vibrant hotspot popular with the locals and the tourists alike. The second goal is to highlight the intrinsic value of the modernist architecture of the late 20th century.
The innovative contest workshop format has been devised for the occasion in order to select the most promising proposal while enabling aspiring Russian practices to build their expertise. Young, high-potential Russian architecture offices were invited to develop their proposals under the guidance of an international curator. The exceptional background and distinctive approach of the curator vouches for the top quality of the final solution and allows the Russian professional community to experience new methods and approaches in similar situations.
Roger Watts’ presentation on comparable theatre reconstruction projects is available at: https://youtu.be/zU79bHSZ0pk
The proposal emphasizes the original designs and relies on them to create a series of emotional landscapes. An in-depth research into the existing elements and textures resulted in the development of a new range of materials complementing the original solutions. The concept evokes Somov’s own designs and untapped ideas and pays homage to the architect’s design thinking. This way, the intangible heritage of the building is preserved and the unique atmosphere of the place is enhanced.
The contest was initiated by the government of Novgorod region and sponsored by DOM RF housing development corporation jointly with Acron group, a global Novgorod-based mineral fertilizer and industrial chemicals producer. Strelka KB consultancy was invited to operate the competition.go back